Structure and Style

Scroll to Info & Navigation

What Do Women Want?

I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I’m the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I’ll pull that garment
from its hanger like I’m choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I’ll wear it like bones, like skin,
it’ll be the goddamned
dress they bury me in.

—Kim Addonizio

I decided to post this poem today because I like Kim Addonizio’s poetry and it’s my birthday, and because, despite my imperfections, I’m old enough to know what I want and still young enough to fight like hell for it.

-S

Stop Rolling Over

Good Girl

Look at you, sitting there being good.
After two years you’re still dying for a cigarette.

And not drinking on weekdays, who thought that one up?

Don’t you want to run to the corner right now

for a fifth of vodka and have it with cranberry juice

and a nice lemon slice, wouldn’t the backyard
that you’re so sick of staring out into

look better then, the tidy yard your landlord tends

day and night — the fence with its fresh coat of paint,

the ash-free barbeque, the patio swept clean of small twigs—

don’t you want to mess it all up, to roll around
like a dog in his flowerbeds? Aren’t you a dog anyway,

always groveling for love and begging to be petted?

You ought to get into the garbage and lick the insides

of the can, the greasy wrappers, the picked-over bones,

you ought to drive your snout into the coffee grounds.

Ah, coffee! Why not gulp some down with four cigarettes

and then blast naked into the streets, and leap on the first

beautiful man you find? The words Ruin me, haven’t they

been jailed in your throat for forty years, isn’t it time

you set them loose in slutty dresses and torn fishnets

to totter around in five-inch heels and slutty mascara?

Sure it’s time. You’ve rolled over long enough.

Forty, forty-one. At the end of all this

there’s one lousy biscuit, and it tastes like dirt.

So get going. Listen: they’re howling for you now:

up and down the block your neighbors’ dogs

burst into frenzied barking and won’t shut up.

—Kim Addonizio

I’ve picked this poem as the first post for several reasons, the main one being that I keep running into it. I thought the poem was brilliant when I first read it because it seemed to capture how one feels between trying to be a “good” girl and the desire to let it all hang out and just live, whatever that means. I keep enjoying this poem because of all the layers it has, particularly all the dirty language (licking the inside of a garbage can and slutty mascara). Perhaps I like this poem simply for the fact that I don’t like the “good” girl. I want her to let words loose, drink on weekdays and weekends, put on slutty clothes, and stop rolling over. Just stop rolling over.

-S